Synful

NEW!! Synful Orchestra 2.4.4

NEW! Protools/RTAS for MAC Compatible
NEW! Full String Playing Modes.
NEW! 2.4.4 Bug Fixes more...
NEW! 15 New Sound Examples Below
NEW! Imaginary Instruments and Otherworldly Sounds
NEW! Powerful Real-Time Controls.
NEW! Sibelius 5 Compatible
Automatic Articulations and Phrasing
Reconstructive Phrase Modeling
Players Positioned on Virtual Stage
Ultra-Realistic Instruments
Natural Divisi
Flexible Winds, Brass and String Sections
120 MB Total.
70-140 Real-Time Voices.
Native AU, VSTi, DXi, Protools/RTAS
MAC UB 10.4-10.5 and Windows 32/64

read more about version 2.4

AU/VST/DXI/RTAS

Most Innovative

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Listen to These Synful Orchestra Examples

Wagner Tristan und Isolde sequence by Eric Lindemann	Full Orchestra with lush string section and winds. Sixteen seqeuenced MIDI tracks with Delay for Expression.	listen
Beethoven String Quartet, Opus 132 sequenced by Eric Lindemann	Expressive Solo Strings. Four sequenced tracks make use of Delay for Expression.	listen
Stravinsky The Rite of Spring sequence by Eric Lindemann	Expressive Woodwinds. Eighteen sequenced MIDI tracks. Delay for Expresion used.	listen
NEW! Night Ring, composed and sequenced by Eric Lindemann	Finally a funk groove for stings. This uses only Synful Orchestra string sounds. There is no percussion or other libraries. What sounds like percussion is plucked strings that have been modified using Synful Orchestra Controls -- harmonic parity, harmonic tilt, and release time. No Delay for Expresion was used.	listen
NEW! Oh Willow Tree, composed and sequenced by Eric Lindemann	A tranquil but surreal musical setting is created. The intention is not only to imitate real strings but also to create imaginary instruments by using Synful to modify the natural sounds. The title comes from a Zen story told by John Cage on an old Folkways LP I got from my mother in 1966. Harmonic parity and long release times are applied to pizzicato and col-legno violins in combination with natural sul-ponticello and harmonics solo strings. All sounds are made using Synful Orchestra strings, there is no percussion and no other libraries. There are 5 tracks performed in real-time. No Delay for Expression is used in recording or playback .	listen
NEW! Rohnana, composed and sequenced by Eric Lindemann	A more agressive imaginary ensemble. 10 poorly synchronized cellos playing col-legno are subject to various harmonic parity settings and long release times. Seven aggressive Bartok pizz basses also use harmonic parity and long release times to provide an apocalyptic punch. In the middle section, as the cellos ascend into the higher register, I begin channeling 1950s Stockhausen. The recording was made 2 days after his death. All sounds are made using Synful Orchestra strings, there is no percussion and no other libraries. There are three improvised tracks played in real-time. No Delay for Expression is used in recording or playback .	listen
NEW! Scary Tremolo Basses, composed and sequenced by Eric Lindemann	A large late-romantic 12 player bass ensemble plays tremolo with all their ominous expressive power. The intention is pure realism and drama. The tremolo is made more natural by extensive use of the tremolo rate control. Note the variety of attacks and tremolo synchronizaton across the 12 players. There is one track played in real-time. No Delay for Expression is used in recording or playback .	listen
NEW! Intense Tremolo Cellos, composed and sequenced by Eric Lindemann	Sixteen cellos play a dramatic tremolo passage. Starting in unison, they end in dissonant harmony. There are two tracks played in real-time. No Delay for Expression is used in recording or playback .	listen
NEW! Tremolo Violins, composed and sequenced by Eric Lindemann	16 first and 16 second violins begin with dramatic tremolos in octaves. In the lower register all 32 violins play tremolo in unison. There are two tracks played in real-time. No Delay for Expression is used in recording or playback .	listen
NEW! Bass Solo Pizz, composed and sequenced by Eric Lindemann	A single bass plays an expressive pizz solo. Note release sounds including string buzz, and natural sounding repeated notes add to the realism. One track performed real-time with no Delay for Expression.	listen
NEW! Bass Solo, composed and sequenced by Eric Lindemann	A single bass plays Bartok-pizz, pizz, and col-legno. A single track is performed real-time with key-switching to change playing modes. No Delay for Expression is used in recording or playback .	listen
NEW! Bass Section Pizz , composed and sequenced by Eric Lindemann	10 basses play a simple classical pizz accompaniment passage. Note the spacial destribution and imperfect synchronization. A single track is performed real-time. No Delay for Expression is used in recording or playback .	listen
NEW! Cello Solo Pizz, composed and sequenced by Eric Lindemann	A single cello plays a tender pizzicato serenade. In the faster part of the phrase, natural sounding note transitions and repeated notes add to the realism. One track performed real-time with no Delay for Expression.	listen
NEW! Cello Section Pizz, composed and sequenced by Eric Lindemann	12 cellos play a simple pizz accompaniment passage. A single track is performed real-time. No Delay for Expression is used in recording or playback .	listen
NEW! Viola Solo Pizz, composed and sequenced by Eric Lindemann	A viola plays a sad pizzicato solo. One track performed real-time with no Delay for Expression.	listen
NEW! Viola Section Pizz, composed and sequenced by Eric Lindemann	14 violas play a fast pizz passage. Note the realism of the repeated notes. One track performed real-time with no Delay for Expression.	listen
NEW! Violin Solo Pizz, composed and sequenced by Eric Lindemann	A single violin plays a rapid classical pizz phrase including triple and quadruple stops and repeated notes. One track performed real-time with no Delay for Expression.	listen
NEW! Violin Section Pizz, composed and sequenced by Eric Lindemann	16 violins echo the rapid solo violin pizz phrase in two part harmony. One track performed real-time with no Delay for Expression.	listen
Tchaikovsky Symphony 6 sequence by Leandro Gardini Copyright 2005 Leandro Gardini	Full Romantic Orchestra	listen
Mahler Symphony 9 sequence by Leandro Gardini Copyright 2005 Leandro Gardini	Full Romantic Orchestra	listen
Mozart Jupiter Symphony Finale sequence by Leandro Gardini Copyright 2005 Leandro Gardini	Full Classical Orchestra	listen
Anna Lindemann Hari-Hara sequence by Anna Lindemann Copyright 2003 Anna Lindemann	20th Century Chamber Orchestra	listen